April 21, 2022April 24, 2022 Jana J. Monji

‘Paris, 13th District’ Teeters on the Edge of the Male Gaze and Oriental Fetish ⭐️⭐️

April 15, 2022 Jana J. Monji

‘Better Nate Than Ever’ Is the Latest Backyard Bystander AAPI Marginalization Movie ⭐️⭐️

April 13, 2022April 13, 2022 Jana J. Monji

‘Return to Space’ Is Less Documentary and More Musk Commercial⭐️⭐️

April 12, 2022April 12, 2022 Jana J. Monji

‘Fantastic Beasts: The Secrets of Dumbledore’ Not a Complete Bore, but Bad East Asian Diversity Score ⭐️⭐️

April 11, 2022April 11, 2022 Jana J. Monji

‘Ambulance’ Is Deadly Loud and Too Long ⭐️⭐️

March 28, 2022April 1, 2022 Jana J. Monji

Team Chris Rock and the Diversity Score for Oscar 2022

March 27, 2022March 27, 2022 Jana J. Monji

You Know the Type: On Daniel Dae Kim, Grace Park and ‘Hawaii 5-0’

March 25, 2022March 25, 2022 Jana J. Monji

‘Everything Everywhere All at Once’ Is the Everything Bagel You Didn’t Know You Needed

March 25, 2022March 25, 2022 Jana J. Monji

The Bruce Lee Litmus Test and the Movies

March 23, 2022 Jana J. Monji

The Return of ‘Young Rock’