April 28, 2022April 28, 2022 Jana J. Monji

GO: Lee Alexander McQueen: Mind, Mythos, Muse

April 24, 2022April 25, 2022 Jana J. Monji

‘White Hot: The Rise and Fall of Abercrombie and Fitch’: Hot on the Trail with Lukewarm Results⭐️⭐️

April 21, 2022April 24, 2022 Jana J. Monji

‘Paris, 13th District’ Teeters on the Edge of the Male Gaze and Oriental Fetish ⭐️⭐️

April 20, 2022April 26, 2022 Jana J. Monji

GO: ‘Blues for an Alabama Sky’: Dreams, Cities and Relationships

April 20, 2022 Jana J. Monji

GO! Last Chance to See Holland Taylor Live in ‘Ann’ as the Pasadena Playhouse

April 15, 2022 Jana J. Monji

‘Better Nate Than Ever’ Is the Latest Backyard Bystander AAPI Marginalization Movie ⭐️⭐️

April 13, 2022April 13, 2022 Jana J. Monji

‘Return to Space’ Is Less Documentary and More Musk Commercial⭐️⭐️

April 12, 2022April 12, 2022 Jana J. Monji

‘Fantastic Beasts: The Secrets of Dumbledore’ Not a Complete Bore, but Bad East Asian Diversity Score ⭐️⭐️

April 11, 2022April 11, 2022 Jana J. Monji

‘Ambulance’ Is Deadly Loud and Too Long ⭐️⭐️

April 2, 2022July 1, 2022 Jana J. Monji

#OscarsSoWhite, Chris Rock versus Diversity