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January 11, 2023 Jana J. Monji

RRR: Roaring Reply to Racist Tropes? ⭐️⭐️⭐️

January 10, 2023January 11, 2023 Jana J. Monji

The Comeback Kid: Ke Huy Quan Wins Golden Globe

December 29, 2022December 29, 2022 Jana J. Monji

GO: Contemporary Korean Art at LACMA

December 26, 2022December 29, 2022 Jana J. Monji

Addressing Na’vi, Avatar and Racism: White Savior in Blueface

December 25, 2022February 19, 2023 Jana J. Monji

Volcanos, Love and Locals: Three Documentaries on Volcano Disasters ⭐️⭐️

December 13, 2022December 26, 2022 Jana J. Monji

‘Avatar: The Way of Water’: Problems of Logic and Lechery ⭐️⭐️

November 30, 2022December 1, 2022 Jana J. Monji

‘Violent Night’ Is Live-Action R-Rated Cartoon Level Violence ⭐️⭐️⭐️

November 28, 2022December 29, 2022 Jana J. Monji

GO: National Geographic Beyond King Tut Immersive Experience

November 27, 2022 Jana J. Monji

‘While We Watched’ Review: TIFF and DOC NYC 2022 ⭐️⭐️⭐️⭐️

November 27, 2022November 28, 2022 Jana J. Monji

‘Glass Onion: A Knives Out Mystery’: Cuts into the Pandemic ⭐️⭐️⭐️

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Recent Posts

  • Spooky Valentine Date? Visit ‘The Willows’
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