November 8, 2024 Jana J. Monji

‘Juror #2’ Closes the Fest and Perhaps the Close of Clint’s Directorial Career ⭐️⭐️: AFI FEST 2024

November 7, 2024 Jana J. Monji

‘Here’ and ‘Architecton’: A Contemplation of Place and Human Hubris ⭐️⭐️⭐️

November 1, 2024 Jana J. Monji

‘Flow’ Engages without Words: ⭐️⭐️⭐️⭐️ Animation Is Film Festival 2024

November 1, 2024November 1, 2024 Jana J. Monji

‘Memoir of a Snail’ Sluggishly Oozes Around ⭐️⭐️: Animation Is Film Festival 2024 ⭐️⭐️

November 1, 2024 Jana J. Monji

‘The Colors Within’ and the Colors Without ⭐️⭐️⭐️⭐️: Animation Is Film 2024

October 23, 2024October 23, 2024 Jana J. Monji

‘Venom: The Last Dance’ and the SSU Venom Trilogy

October 17, 2024 Jana J. Monji

‘Living’ and ‘Ikiru’: Inspirational Lessons on Truly Living ⭐️⭐️⭐️⭐️⭐️

October 3, 2024October 3, 2024 Jana J. Monji

‘Joker: Folie à Deux’: More Folly Than Jolly ⭐️⭐️

September 27, 2024October 3, 2024 Jana J. Monji

Motherhood takes a Wonderful Wild Ride in ‘The Wild Robot’ ⭐️⭐️⭐️⭐️⭐️

September 20, 2024September 25, 2024 Jana J. Monji

‘Transformers One’ (⭐️⭐️) Shows Diversity Still Operates in Black and White for Original Japanese Ideas