November 26, 2024November 26, 2024 Jana J. Monji

‘Moana 2’ Muddles Through a New Adventure⭐️⭐️

November 22, 2024December 15, 2024 Jana J. Monji

‘Wicked Part One’ Is Partially Wonderful with Erivo and Grande Well-Worth Seeing ⭐️⭐️⭐️

November 18, 2024 Jana J. Monji

‘The Ghost Cat Anzu’ Review ⭐️⭐️⭐️: Animation Is Film

November 8, 2024 Jana J. Monji

‘Juror #2’ Closes the Fest and Perhaps the Close of Clint’s Directorial Career ⭐️⭐️: AFI FEST 2024

November 7, 2024 Jana J. Monji

‘Here’ and ‘Architecton’: A Contemplation of Place and Human Hubris ⭐️⭐️⭐️

November 1, 2024 Jana J. Monji

‘Flow’ Engages without Words: ⭐️⭐️⭐️⭐️ Animation Is Film Festival 2024

November 1, 2024November 1, 2024 Jana J. Monji

‘Memoir of a Snail’ Sluggishly Oozes Around ⭐️⭐️: Animation Is Film Festival 2024 ⭐️⭐️

November 1, 2024 Jana J. Monji

‘The Colors Within’ and the Colors Without ⭐️⭐️⭐️⭐️: Animation Is Film 2024

October 23, 2024October 23, 2024 Jana J. Monji

‘Venom: The Last Dance’ and the SSU Venom Trilogy

October 17, 2024 Jana J. Monji

‘Living’ and ‘Ikiru’: Inspirational Lessons on Truly Living ⭐️⭐️⭐️⭐️⭐️