December 13, 2022December 26, 2022 Jana J. Monji

‘Avatar: The Way of Water’: Problems of Logic and Lechery ⭐️⭐️

November 30, 2022December 1, 2022 Jana J. Monji

‘Violent Night’ Is Live-Action R-Rated Cartoon Level Violence ⭐️⭐️⭐️

November 27, 2022 Jana J. Monji

‘While We Watched’ Review: TIFF and DOC NYC 2022 ⭐️⭐️⭐️⭐️

November 27, 2022November 28, 2022 Jana J. Monji

‘Glass Onion: A Knives Out Mystery’: Cuts into the Pandemic ⭐️⭐️⭐️

November 23, 2022November 23, 2022 Jana J. Monji

‘Summer Ghost’ AIF 2022 ⭐️⭐️⭐️⭐️

November 23, 2022November 23, 2022 Jana J. Monji

‘Strange World’ Transforms Adventure Genres for a Charming Tale of Fathers and Sons ⭐️⭐️⭐️⭐️

November 18, 2022November 18, 2022 Jana J. Monji

‘She Said’ Review AFI FEST 2022 ⭐️⭐️⭐️⭐️

November 8, 2022November 11, 2022 Jana J. Monji

‘Black Panther: Wakanda Forever’: Is Black Superiority Better Than White Superiority? ⭐️⭐️

November 4, 2022November 4, 2022 Jana J. Monji

‘The Son’ TIFF Review: An Imperfect Contemplation on Sons, Fathers and Depression ⭐️⭐️⭐️

November 4, 2022November 4, 2022 Jana J. Monji

‘Good Night, Oppy’ :Farewell to the Oldest Rover Review⭐️⭐️⭐️⭐️