May 24, 2022June 16, 2022 Jana J. Monji

‘Top Gun: Maverick’ Flies High ⭐️⭐️⭐️⭐️

May 12, 2022May 12, 2022 Jana J. Monji

‘The Unbearable Weight of Massive Talent’: Meta-Nick Cage Is Meta Fun ⭐️⭐️⭐️

May 12, 2022May 12, 2022 Jana J. Monji

‘Downton Abbey: A New Era’ Review ⭐️⭐️⭐️

May 3, 2022May 12, 2022 Jana J. Monji

‘Doctor Strange in the Multiverse of Madness’ Still Bound to Make Some Asians Mad⭐️⭐️

April 24, 2022April 25, 2022 Jana J. Monji

‘White Hot: The Rise and Fall of Abercrombie and Fitch’: Hot on the Trail with Lukewarm Results⭐️⭐️

April 21, 2022April 24, 2022 Jana J. Monji

‘Paris, 13th District’ Teeters on the Edge of the Male Gaze and Oriental Fetish ⭐️⭐️

April 15, 2022 Jana J. Monji

‘Better Nate Than Ever’ Is the Latest Backyard Bystander AAPI Marginalization Movie ⭐️⭐️

April 13, 2022April 13, 2022 Jana J. Monji

‘Return to Space’ Is Less Documentary and More Musk Commercial⭐️⭐️

April 12, 2022April 12, 2022 Jana J. Monji

‘Fantastic Beasts: The Secrets of Dumbledore’ Not a Complete Bore, but Bad East Asian Diversity Score ⭐️⭐️

April 11, 2022April 11, 2022 Jana J. Monji

‘Ambulance’ Is Deadly Loud and Too Long ⭐️⭐️