May 11, 2023 Jana J. Monji

Review: ‘In Search of Bengali Harlem’ Opens Necessary Conversations ⭐️⭐️⭐️

May 7, 2023 Jana J. Monji

Review: ‘Unseen’ Documents an Undocumented Immigrant with Sight Disability ⭐️⭐️⭐️

February 11, 2023February 11, 2023 Jana J. Monji

‘Pianoforte’: Questionable Choices Misleads Viewers ⭐️⭐️

February 3, 2023 Jana J. Monji

‘Against the Tide’: Sundance World Cinema Documentary Special Jury Award for Vérité Filmmaking ⭐️⭐️⭐️⭐️

June 11, 2022 Jana J. Monji

‘Delikado’ Review: ⭐️⭐️⭐️⭐️ Los Angeles Asian Pacific Film Festival

June 4, 2022June 4, 2022 Jana J. Monji

‘Bad Axe’ Review: SXSW 2022 ⭐️⭐️⭐️

April 24, 2022April 25, 2022 Jana J. Monji

‘White Hot: The Rise and Fall of Abercrombie and Fitch’: Hot on the Trail with Lukewarm Results⭐️⭐️

April 13, 2022April 13, 2022 Jana J. Monji

‘Return to Space’ Is Less Documentary and More Musk Commercial⭐️⭐️

February 7, 2022 Jana J. Monji

‘Tantura’: Sundance 2022 ☆☆☆☆

February 7, 2022February 7, 2022 Jana J. Monji

‘Midwives’ Review: Sundance 2022 ⭐️⭐️⭐️⭐️